There is a real scene. Since the new century
In October , the work "Love in Kunlun" was specially invited to participate in the Hundred Years of National Calligraphy and Painting Exhibition. In June , the Chinese painting "Soul of the Nation" created to celebrate the th anniversary of the founding of the Communist Party of China was moved to the space station with the Shenzhou manned spacecraft. jpg Painter Ma Wanguo's paintings - great atmosphere, great realm, great mind, great pen and ink Author/Xue Yongnian A few days ago, I participated in the selection of the Chinese painting exhibition area of the th National Art Exhibition.Among the landscape paintings, there were many good works, but not many of them were exciting. Ma Wanguo's paintings, especially the Kunlun Mountains, were very exciting. It can be summarized in words: majestic, mysterious, hearty, eye-catching and shocking. Specifically, it means great atmo Argentina WhatsApp Number sphere, great realm, great mind, and great writing. It has a long sense of history, a sense of the vast universe, strong vitality, a strong sense of the times, and a distinctive personal appearance that has a strong visual impact and is shocking at the same time. Several questions come to mind at the same time, all of which are inspired by Ma Wanguo’s creations. Let’s talk about it briefly. Relying on the meaning of Chairman Mao’s words to bring new themes and new artistic conceptions, Ma Wanguo’s Kunlun series is so exciting.
https://lh7-us.googleusercontent.com/MDvCDS-oktQPoE_kOI2SPPUWFzIRyMHJLtssaLm-l9I1E_xORTHmJQQhbhshCd_Xjn86Qf4Z6aQ4kn6jH4vXG0G7y6Uo8kiTI09TW1BupV0RfdQNKu3ZESSROxIvuX8GuK1kdGrmA2RxBqI9bO5FrpQ
First of all, it makes people forget about pen and ink, and directly touches people with real landscapes, realizing what Jing Hao said “forgetting pen and ink. , many painters have attached great importance to the linguistic characteristics of Chinese painting - one brush stroke and the relatively independent beauty of brush and ink. They are no longer satisfied with paying attention to what to paint, but to how to paint. However, we still cannot ignore what we paint. The subject matter is not omnipotent, and we cannot engage in subject matter determinism. However, without the painter's touching of the real landscape, it will not be able to impress the viewer.
頁:
[1]